Works

“Composition in a Circle” gathers fragmented figures and gestures within a form that both contains and intensifies them. Color and line move between intimacy and tension, allowing several presences to occupy the same psychological space. The circle becomes less a boundary than a world held momentarily together.

“Offbeat” unfolds in the space between rhythm and interruption, where balance is continually disturbed and recovered.

Delicate lines and suspended forms move through the composition like fragments of an uncertain choreography.

Its quietness is never still; it carries the tension of something about to shift.

“Consciousness” unfolds between the visible figure and an interior world that refuses fixed form. Fragments of body, line, and color coexist in a shifting field of presence and thought. The figure is not dissolved by abstraction; it seems to think through it.

“Contrabass” explores the point where the human body and musical instrument become inseparable.

Lines move between figure and sound, carrying rhythm through a dense, layered field of color.

The musician does not simply play the instrument; he seems to inhabit its resonance.