Works

“The Painter” places the artist within the very language he creates, where figure and gesture become inseparable. Lines extend beyond the body as if thought itself were entering the surrounding space. The painter becomes both the maker of the image and part of its unfolding.

“Observing” explores the shifting boundary between presence and perception. The figure emerges through layered fields of line and color, simultaneously defined and unsettled. Recognition becomes not an answer, but the beginning of seeing.

“Graffiti” holds the figure between intimacy and exposure, suspended within a layered urban field.

Fragments of color, pattern, and line move across the body, blurring the boundary between identity and environment.

The figure remains intensely present, yet never entirely available to the viewer.

“Composition in a Circle” gathers fragmented figures and gestures within a form that both contains and intensifies them. Color and line move between intimacy and tension, allowing several presences to occupy the same psychological space. The circle becomes less a boundary than a world held momentarily together.

“Amalgamation” explores the moment when separate forms cease to behave as separate things.

Gesture, color, and sculptural line converge in a suspended state between painting and object.

What emerges is not a fixed form, but a presence still becoming.

“Cry of the Butterfly” holds the human figure between vulnerability and release.

Fragmented color and restless line turn the body into a field of inner tension and movement.

What appears suspended may equally be falling, resisting, or learning to fly.